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Sculptor Nicholas Galanin's work has been targeted by Trump order. He says he won’t stop making art

Nicholas Galanin, The Imaginary Indian (Totem Pole), 2016, wood, acrylic paint. and wallpaper, totem: 80 42 × 51 12 × 11 in.
Courtesy of the artist and Peter Blum Gallery
Nicholas Galanin, The Imaginary Indian (Totem Pole), 2016, wood, acrylic paint. and wallpaper, totem: 80 42 × 51 12 × 11 in.

On March 27, the Trump administration issued an executive order called “Restoring Truth and Sanity to American History.” The order alleged a “concerted and widespread effort to rewrite our nation’s history.” In the administration’s framing, there is a subversive movement underway to undermine America’s legacy as “racist, sexist, oppressive, or otherwise irredeemably flawed.”

To support its claim, the order cites, among other things, an exhibition at the Smithsonian called “The Shape of Power: Stories of Race and American Sculpture.”

According to the Smithsonian’s website, the show, which is on view until September of this year, explores the ways that sculpture has shaped the way generations have learned to visualize and think about race.

Nicholas Galanin, an Indigenous sculptor whose work appears in the show, joined The Show to discuss the piece, which is called “The Imaginary Indian Totem Pole.”

Nicholas Galanin
Raven's Tale Studio
Nicholas Galanin
KJZZ's The Show transcripts are created on deadline. This text is edited for length and clarity, and may not be in its final form. The authoritative record of KJZZ's programming is the audio record.

Sam Dingman is a reporter and host for KJZZ’s The Show. Prior to KJZZ, Dingman was the creator and host of the acclaimed podcast Family Ghosts.
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