And now we continue our collection of conversations about food and the holidays with a story from The Show producer Ayana Hamilton. She’s got a complicated relationship with Santa. We’ll let her explain.
AYANA HAMILTON: Growing up, like all other kids, I believed in Santa Claus and absolutely loved Christmas because, to quote Andy Williams, it was truly “The most wonderful time of the year.” When I became conscious — so let's say around 5 — I would choose the gifts that went in my letter to Santa, and then give all my trust to my parents to safely mail it off to the North Pole, which is definitely in Antarctica.
Since I grew up in a pro-Black household, Santa was Black, and my dad was the most vocal about it. However, I successfully refuted my dad’s claim because I knew — no, believed — that Santa is white. The cultural expectations I absorbed shaped my proof: Christmas cartoons showed a white Santa, and the mall Santa was always white.
So as I got older, my mom would be the victim of this argument. My dad and I would argue back and forth like Daffy Duck and Bugs Bunny, but instead of saying rabbit season or duck season, we would yell, “He’s Black,” “No, he’s white!”
However, my belief in Santa began to crumble one day in fourth grade, when a classmate shouted across the room that Santa isn’t real. I pretended I didn’t hear it. I felt a mixture of confusion and loss. This is despite finding my letter to Santa in the back of my dad’s car and unwrapped presents in my parents closet. I clung to the magic because it was easier than accepting that my childhood illusions were ending.
I took the next logical step to prove that Santa is real and left the perfect bait to catch him: chocolate chip cookies and milk. But my dad disagreed, saying he actually prefers oatmeal-raisin cookies. My aunt didn’t agree with any of us and said that Santa would be fine with a bag of chips and a can of Dr. Pepper. I didn’t listen to either of them and went with my original plan, convinced that if Santa showed up at all, he’d recognize the classic setup. I carefully arranged everything, hoping my strategy would finally settle the debate.
It failed, and I tried it again the following year. But I didn’t do it for me; I did it for my younger cousins. I had to put on my best acting face the morning of, so the bite of the cookie surprised me, but made me think, “Oh, so did they forget to do it last year?”
Nonetheless, it was an exciting Christmas anyway because I got Rollerblades, and I already knew it before opening them; I’d found the box sitting unwrapped in my parents’ closet a week earlier.
All week, I kept sneaking back to look at them, imagining how fast I’d be once I finally got outside. Even without the mystery, the joy was real. I learned that the magic of Christmas lived in the anticipation, the small secrets and the stories families choose to believe.
And in the end, my dad won the argument that Santa is Black.
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Phoenix poet Rosemarie Dombrowski is embracing old holiday traditions this year. Here's the latest essay in The Show's Eating Christmas collection.
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There’s something fishy about The Show's next Eating Christmas essay. Local writer Devin Kate Pope explains.
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Growing up in rural Arizona, Phoenix storyteller Christopher Hooper spent a lot of time in one particular room of the house. Here's the latest essay in this year's Eating Christmas series.
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We continue our collection of conversations about food and the holidays with a story from The Show producer Ayana Hamilton. She’s got a complicated relationship with Santa.
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Over the next few days we’ll be sharing some of this year’s true stories about food and the holidays, starting with the holiday season Kathy Cano-Murillo tried to help her father make tamales.
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For the final essay in this year’s Eating Christmas series, Tennille Neilsen has always been tall and skinny. But that doesn’t stop the annual inquisition at the holiday dinner table.
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In a story only Amy Young can tell, this Eating Christmas essay features a missing car, a diner and an angel.
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For most of us, food provides comfort — particularly during the holiday season. But for some, it’s the opposite. Audrey Treon explains in her Eating Christmas essay.
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For Bar Flies' annual holiday show, “Eating Christmas,” Anwar Newton shared a story of brotherhood — and a particular brand of candy.
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This holiday season, This Show is bringing you true stories about — what else — food. And Phoenix writer Nina Newell recalls a holiday meal prepared with love — and a heaping side of guilt.
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This month, we’ve brought “Eating Christmas” — a typically live storytelling event — to you in the comfort and safety of wherever you like to listen to KJZZ. The Show has shared three original essays about the holidays and food, and now we give you the finale.
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This holiday season, This Show is bringing you true stories about — what else — food. Local educator Nemanja Demic shared a story of old traditions including pig on a spit.
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This holiday season, This Show is bringing you true stories about — what else — food. And Regina Revazova shares how her family celebrates the winter holidays growing up in a frozen town on the other side of the world.